Tuesday, September 19, 2017

Why Nobody Buys New Music Anymore-Bhad Bharbie

‘Cash Me Outside’ Girl Signing Marks The Official Split of the Music Industry

here are now two completely separate music industries.

And most don’t even realize this. It has been a long time coming.

One, you have the traditional music industry. I call it the Superstar Business. And it’s run by the major labels. For a while now, of course, they have been solely focused on how to make the most amount of money in the shortest amount of time. This year. This week. This day. This moment.

Their vision and strategic timelines have been getting shorter and shorter. Gone are the days where a Columbia records sticks it out through two failed (full length) albums because they believe in an artist – like what happened with Bruce Springsteen.

Now the majors won’t even sign you unless you’re already proven — with the numbers to tout.

If you hadn’t lost all respect for major record labels yet, well you have now. Atlantic Records just signed someone who is not a musician.  Is not a rap “artist.”  Is not any more talented than the next 14 year old kid who can kinda rap.  But has a following. A massive one at that.

If you have been living under a rock the past week, you may have missed that Atlantic Records just signed (a 360 deal no doubt) Danielle Bregoli  (a.k.a. Bhad Bhabie) — who got shot to stardom by her colorful appearance on Dr. Phil.  The “Cash Me Outside” meme (and remix) was born.  And in true Kardashian fashion, she has since gained millions of Instagram followers.

Atlantic records doesn’t care about art. Doesn’t care about musicians. Doesn’t care about artists. All Atlantic Records (and their execs) care about is money.

We live in a capitalist society. So this is all fine and dandy I guess. But don’t think for a second that when you (or your artist) sign to a major that you will get some personalized attention because you have some artistic purity or integrity. Or because you think your music is great. Unless you’re going to make them a lot of money this year, don’t even bother walking in the front door

Let’s remember that Bhad Bhabi charted on the Billboard Hot 100, not because she has millions of fans. But because she has millions of people who wanted to see what all the fuss is about.

Myself included. You don’t need to buy records today to do this. All you need to do is head over to YouTube or Spotify and play the song for free. And Billboard tracks every stream. 1,500 streams equals a Streaming Equivalent Album (SEA) purchase – hence the Billboard charting. Let’s note that although she hit #1 on the US Viral Charts on Spotify, no one is buying her song on iTunes – she didn’t even crack the top 200 trending songs as of Monday (2 weeks after the release).
Yes, she has millions of Instagram followers. But I consider fans to be those who would actually spend money on their favorite artists. Attend concerts. Buy merch in a non-ironic way (see “Cash Me Outside” sold out Ts).
Or maybe she does have fans. I suppose she is perfectly emblematic of American culture right now: Lead by a bombastic misogynist as President supported by an aggressively anti-PC base.

What do we expect? We live in a reality TV nation — where people believe the way to “make it” in music is to either win a TV singing contest or go viral and get signed to a major record label.

When in reality this doesn’t prove to be a path to sustained success in the music industry.
And the major record labels know this.  And really don’t give a flying fuck.  They are set up that way.
The major labels are in the business of making money — not developing or showcasing talent. Period.
So get rid of that misconception.

And what is the other music industry existing right now? I call it the New Music Business. And it’s much more encouraging.

It is an industry existing completely outside TMZ culture. One that is not being written about by any of the culture rags. Or even Billboard very often. Because it’s not very sexy.
It is the industry of the independents. The working musicians. The DIYers damning the system and proclaiming they are not in it for quick fame and instant success, but because music is at the core of who they are. And they would rather build a career than chase fame.

There are literally tens of thousands of independent musicians, managing sustainable music careers, making middle class livings (or oftentimes 6-7 figure incomes), who you have never heard of. And Variety or TMZ will never write about.

Every creator on Patreon. Every artist touring clubs and theaters. Every musician running Kickstarters and PledgeMusic and IndieGoGo campaigns. Every indie artist making a living licensing songs on TV shows, commercials and films. Every artist making a music career happen in a creative way in 2017. There’s no one way to make it in the New Music Business. There are a hundred. And you haven’t heard of 95 of those ways. None of them have to do with getting signed to a major record label.
Because this is the new industry we are living in.
The “other” music business. The New Music Business is not supported by the major record labels. It’s not about a hit, but a career. It’s not about capitalizing on hilarious memes, but building relationships with fans.
I don’t care about Bhad Bhabi. And neither will anyone else (especially not Atlantic Records) in 3 years time. I’m not going to trash a 14 year old. That’s not cool no matter what you think of her or her perceived success.

Getting signed by a major record label is NOT a marker of success.

When 99% of all acts that get signed to major record labels fail (i.e. do not recoup the cost of their advance and get dropped), the odds are actually worse for you if you attempt to work within the traditional music industry. You might as well go and buy a lottery ticket.
So, both of these industries are existing. Simultaneously. One run by musicians defining their own career destinies.  And the other by money-hungry opportunists.  Which do you want to be a part of?

This originally appeared at Digital Music News.  And I thought it was worthy enough to be reposted here since we all know that links do have an expiration date, most of them really.

My Take: The major labels have been a joke focusing on the bottom line of making money. Atlantic Records is no longer a trustworthy name, they have not been since their founder died 10 years ago. The signing of the Cash Me Outside girl is another reason why not to trust them.  The old Atlantic would have kept the ole R and B acts and most rock bands going for two or three albums tops.  Bhad Bharbie will be long forgotten by this time next year. Empty headed rap pap pop music that nobody will remember next week.  They're already laughing at her.
Good luck Danielle Bhad Bharbie. It just might get you a job at Popeye's once people move on and Atlantic don't have two cents or two shits to care anymore about you.  Welcome to reality.

And learn to spell.

Monday, September 18, 2017

Week In Review: Quad Cities River Bandits 2017 Champions

And the minor league A ball Midwest Champion is Quad Cities as the River Bandits swept Fort Wayne 12-2 to win the third and final game of the Championship Series played at Davenport. It has been a remarkable season for the Bandits who had the best record in the second half, took out Peoria in the semis, Cedar Rapids in the divisional finals as well.   But the team that won it all this season only had one player that was on the roster on opening day, Chuckie Robinson, who was the MVP of the Championships.  The Bandits had a slight spin at the end with a six game losing streak before the playoffs but managed to correct that and with were helped by the arrival of Colin Moran, Mike Feliz and Evan Gattis but perhaps the unsung hero was Josh Rojas who was the main player that got QC into the championship. Future looks bright for Rojas who along with Abe Toro Henandez and  a few others including manager Russ Steinhorn who go on to the Houston Instructional League.  Colin Moran rejoins the Houston Astros as they clinched a playoff spot. The Bandits finished with a 87-61 overall record, they did struggle in the first half but in the second half found ways to win ball games and I recall seeing them win a game when they down four runs in July only to win in extra innings.  This is their third Midwest League Championship of this decade, they won it in 2011 and 2013, the latter which was the first time I ever went to Woodman's Park to watch them play and it has become my favorite place to watch a game.  In the college football side of things, Iowa had no problem with the North Texas Mean Green 31-14, despite being shaky once again in the first half and losing Akim Wadley and James Butler.  Nate Stanley threw for 2 touchdowns.  Next up, Penn State.

Oh and Arizona State lost to Texas Tech.  No defense whatsoever.

And The Chicago Cubs swept St. Louis over the weekend, with a 4-3 victory on Sunday. That puts them 6 games ahead of the Cardinals.  Tampa Bay plays two and then a a big four game series at both Milwaukee and St Louis and those 8 away games will dictate if the Cubs will finally win the division or if the Brew Crew make a serious challenge to them. St Louis is not out by any means but the Cubs sweep make have render their chances to wild card.  Two weeks left in the season and anything is possible.

Music News:  It wasn't a very good week for Tom Capone, Quicksand guitar player. On Tuesday Night, Capone got arrested for shoplifting at a Phoenix CVS store prior to the concert.  The band played on without him. http://www.theprp.com/2017/09/15/news/quicksand-guitarist-tom-capone-attempted-steal-43-items-cvs-exits-bands-current-tour/

(Photo: Julie Gordon)

Saturday Night marked the debut of the new group called The Egads!, featuring yours truly on guitar playing a actual gig (and not a jam) for the first time in 25 years and first time ever playing guitar and singing, with help from our female singer Belinda James and guitarist Mark Randolph.  Missing a couple of musicians (Tim Nemec fell ill and Larry Axelman had to baby sit), they were replaced by a trio of bass players, namely Barth Walter from the Saloonatics/Robin Banks and Jeff Langenberg, plus Mike Clair and since I had to help out on guitar and vocals, Rich Toomsen and Kim Bean provided the beat. For 45 minutes we did 12 songs before the mosquitoes overtook the park.  This gig was for a benefit that was put together by Mike Clair and everybody had a good time.  The auction took about 2 hours to complete to which I spent time making three trips around downtown Vinton just to keep steps ahead of the mosquitoes invasion.   It wasn't easy. http://townedgers.blogspot.com/2017/09/the-egads-show-vinton-91617.html

Passings:  Bobby "The Brain" Heenan, famed WWE manager, and announcer passed away on Sunday. He was 73. In the 1990s, he managed the best ones (Andre The Giant, Ric Flair, Paul Orondoff and the immoral Handsome Harley Race. http://www.espn.com/wwe/story/_/id/20740049/bobby-brain-heenan-wwe-hall-fame-manager-commentator-dies-73

Laudir De Olveria, percussionist for Chicago in the mid to late 70s passed away from a short illness. He was 77.

Jake LaMotta, famed boxer that Robert DeNiro played his role in the movie Raging Bull.  La Motta was 96.

Bernie Casey, former NFL running back great and movie actor died Tuesday He was 78. http://www.hollywoodreporter.com/news/bernie-casey-dead-actor-nfl-910749

On Wednesday, Johnny Sandlin, former Hour Glass drummer and later producer for most of the Capricorn Records roster (Wet Willie, Allman Brothers, Widespread Panic, Marshall Tucker Band, Col Bruce Hampton) passed away from cancer. He was 72  http://www.decaturdaily.com/life/entertainment/sandlin-was-in-the-right-place-at-the-right-time/article_77bfc18a-1d22-5414-be95-d7cfbd00baad.html

Record Reviews

Edgar Winter-The Edgar Winter Collection  (Rhino 1990)

Earlier in the year I bought the Real Gone Definitive Collection of Edgar Winter and thought that was a waste of dollars.  Bill Kopp's liner notes were fun to read but the folks at Real Gone went with album versions let's face it, Tobacco Road will drive you nuts if you have endure 17 minutes of this song, the last ten minutes excessive bombast including the longest scream ever committed to record.  The original intent was to find the collection that had the single version of Free Ride, to which the Real Gone CD did not.  Frustrated, I traded it at Half Priced Books and sought after the Rhino version which did.  It also has Hanging Around, to which the Real Gone album did not.  I always believed that had Dazed And Confused put the 45 version of Free Ride on that album it would be a classic album to get, even if it was on Volume 2 of D and C.   Collection  remains the better buy.  I never cared much of the White Trash lineup or for that matter Tobacco Road which is the last track on this collection which works best if you have to hear it.  Most of the their more accessible songs are here, including the highlights from They Only Come Out At Night (Hanging Around which is not on the Real Gone album) but surprisingly they went with the album version of Round And Round, which hardly anybody would know about the 3 minute edit of that song.  If nothing else, this collection showcases the importance of the late Dan Hartman's songs namely Free Ride and River's Rising, a catchy little number that I remember hearing back in the 70s but nobody ever mentioned the group that did this.  The Rhino remains the best overview, even more than the crappy cheapies that Sony Music put out as Greatest Hits or Playlist.  Edgar was the little brother, Johnny's albums were better but if nothing else, Edgar (with a little help from Hartman) had Free Ride.  That's all you need to know.
Grade B+

Margaret Whiting-The Wheel Of Hurt (London 1966)

Another Real Gone reissue was restoring Maggie's London albums back in order.  She was very prominent in the 40s and 50s with hits on Capitol but by the 60's they sent her packing away and she did put out a few country sounding singles and albums on Dot. Buoyed by a surprise hit The Wheel Of Hurt, London Records and for that matter Arnold Goland believed in her.  The album The Wheel Of Hurt is surprisingly good  although Winchester Cathedral is cringe worthy. She really does shine on the darker songs (You Don't Have To Say You Love Me) but she has so much fun at the end of Show Me A Man that Goland yells out sing it one more time Maggie.  Had London worked it right, they could have gotten a nice sized hit out of Nothing Lasts Forever but they ended up putting as a B side to Wheel Of Hurt.  The pop arrangements by Jack Gold has dated the majority of the songs but I tend to agree with Debbi Whiting that her mom's vocals were the best that she sounded.  The Real Gone reissue collects 13 bonus tracks from various London single, but missing is her number 98 followup to Wheel Of Hurt, Only Love Can Break A Heart.  But you do get German versions of Wheel Of Hurt and Nothing Lasts Forever.
Grade B

Ray Griff-The Entertainer (Real Gone Music 2014)

He had some chart action here in the states, but had more in his native Canada but this is the first actual release of Ray's best known stuff.  From what I hear Conway Twitty is the major influence especially on the ballads (If I Let Her In), but if he went uptempo more of a novelty, best known for You Ring My Bell, a 1976 hit for Capitol. I like the early honky tonk of his two MGM examples including lead off Your Lily White Hands and The Sugar From My Candy, and he does get a kick out of being called Raymond (as mentioned on three songs here, guess which ones)  but he remained a journeyman country star at best. If you're into journeymen country stars, you could do worse.
Grade B

Music of my youth: Iggy Pop-New Values (Arista 1979)

The first Iggy Pop album I ever bought due to the early videos of I'm Bored and Five Foot One but this record was special since it hooked Iggy back up with James Williamson who was on the Raw Power album, an album to got boosted to classic status when Iggy remixed the whole thing in the red and it became the first of the LOUDNESS Cds, the rough edges returned over the smooth mix that David Bowie did on the 1973 album.  Fast forward six years later and Williamson reunited with Iggy for the last time till the 2010's.  Iggy had a pretty band at this time, Scott Thurston (later with Tom Petty) helped along with the drummer from Tangerine Dream of all bands but side 1 does have some accessible power pop type of songs like Tell Me A Story and Girls, but also hints at new wave with the title track, with Williamson adding some nice guitar licks.  Things get a bit bumpy on the overlong The Endless Sea that ends side 1 and side 2 Iggy gets a bit more weirder on Five Foot One, Billy Is A Runaway and especially the un PC African Man, which is silly fun if you're not close minded or easily offended.  One of the highlights was playing this album for David Spich and seeing his reaction to Monkey Man.   Some people insist The Idiot or Lust For Life is the best Iggy.  New Values is the go to album if need be.
Grade B+

Thursday, September 14, 2017

Grant Hart

Grant Hart is a talented musician.  I guess you can say he was one of the main influences that would shape up my band The Townedgers with his sort of DIY music.    He was also the drummer for Husker Du, the other band that shaped the garage rock scene in Minneapolis.

I hope I can spell Grant Hart's name right in this blog, it seems like I can't find the right letter and hit D instead of T, which doesn't help my Torrette's Syndrome.   For the most part back in the 1980s I found myself saddled in bar bands more interested of playing hair metal crap.  I wasn't into Motley Crue or Poison or Guns N Roses for that matter.  GNR got heaps of praise of saving hard rock but I just never warmed up to their music.  My forte was playing the garage rock of Husker Du and when I tried to suggest a couple of Du songs to band asking me what I played when auditioning for them, I got shown out the door in record time.

I wouldn't say Husker Du was the ultimate band of the 80s for me, but in the noise filled aura of Jesus And Mary Chain, the cowpunk of Rank and File and the traditional rock of The Blasters, Husker Du fit somewhere into that scheme of my mixtapes.  Husker Du wasn't hardcore punk as originally thought on Land Speed Record or Everything Falls Apart, somewhere in the white noise guitar of Bob Mould, the subtle playing of Greg Norton and Grant Hart playing drums simply of the fact that his late brother had a set and he put them to good use anyway.  Like Tommy Ramone, Hart had a distinctive sound, not by the book but rather by feel.  He may have the only drummer out there that played the cheap Zildjian Impulse cymbals, to which I did get a few myself simply of the fact Grant used them, at least on the videos he did.

From about 1980 to the their demise, and tired of the dictating Mould, insisting HE was the main songwriter and HE had to white the majority of songs and the suicide of their road manager, the band imploded.  Nothing against Bob Mould, I do love his recent album that came out in 2016 and Sugar, the 1990 band Mould put together, but my favorite songs were sang by Grant.  The Girl That Lived On Heaven Hill to which Hart's screams probably influenced the guys in Nirvana.  While fans and critics raved about Zen Arcade, the 1984 double album for SST, my favorite Du album was the final one Warehouse, to which while Mould wrote 11 songs to Hart's 9, it turns out that Hart's songs were the better ones,  She's A Woman and Now He's A Man, She Floated Away and the last song You Can Live At Home which foretold more of the band imploding.  Certainly Zen Arcade needs to be listened to at least once in your lifetime, but for me Warehouse was their over all best album.  With Bob Mould being more of a control freak, him limiting Hart to lesser songs might have diminished New Day Rising or for that matter Flip Your Wig. Candy Apple Gray remains that one Du album that I have never warmed up much to, I don't think it was abrasive enough but I may want to revisit that album one more time before writing it off.  Flip Your Wig did suffer from a few Mould songs that served more as filler, particularly on side 2.

Once Mould and Hart split up, there would never be another reunion of Husker Du, Mould's ego would not let that happened.  They would share the stage one last time in 2005 when Hart did two songs with Mould and that was it. Certainly Bob Mould was more out in front with his solo stuff but Hart did work on a few albums and was trying to finish up a new album before he passed on Wednesday from cancer at age 56.   Nowadays, Husker Du isn't as remembered fondly as say, The Replacements or the other main star, the late Prince but those who was fans remain faithful to the end, up to the release of a big 3 CD set, the Savage Young Du's (Due Nov) to which Greg Norton speaks highly of, Their music was always full of energy, even though the white noise Plans I Make, another of Bob Mould's classic creations.

While three members finally buried the anger of the past down to put out Savage Young Du CD, rumors about a full reunion made social media to which Norton implied that they're only there to sell T Shirts.  Let's face it, even at this point, there was no way Husker Du could ever share the stage again.   With Grant's passing Husker Du is now history, like it had been when they broke up in 1987. Hart's death also reminds us that time is passing and the ones that shaped our music are now no longer a part of life and Grant was about 6 weeks younger than me.

But in the end Grant Hart has proven he could be equal in writing great music for Husker Du and balance out Bob Mould at times.  Grant's place in music history is now sealed.


Monday, September 11, 2017

Weekend Wrap-Don Williams, Troy Gentry

If Record World is beginning to feel like a toss out after thought than you're probably right.  I have been at gigs playing with The Townedgers and my new band The Egads!, doing a show Friday Night and being part of the Whittier Monthly Showcase.  This weekend I take guitar and drumsticks to Vinton for another jam  afternoon.   But things go on.

Such as Hurricane Harvey and then Irma, which might have been the biggest hurricane we had on record or close to it.  Nothing like a 400 mile wide hurricane playing havoc and rearranging the land scape, namely Kenny Chesney's home which got wiped out in the Virgin Islands.   Even on Monday Tropical Storm Irma still covered all of South Carolina and Georgia and over half of Alabama.  Harvey the week before, drowned Texas, with areas getting 50 inches plus of rain overall. Way too much for too many, although climate deniers will concur. The pill popping oxycondin fat fuck Rush Limbaugh was calling Irma a hoax before he pussied out and got out of the way of this hurricane.  No word if Irma leveled his place, which I doubt.  Foof 45's Mar A Logo might have been spared. Unlike Kenny Chesney's and others.  Questions remain about climate change but for the past three years, the ocean waters have never been warmer and this year was record warmth on the oceans.  Doesn't take much for things to form over 88 degree ocean temps.  As the world has seen this summer.

Gene $immons$ is never short about making money off the faithful it seems. His latest money making venture is to put out a box set of music that he has done over the years and they will not be cheap.  The Gene $immon$ Vault will have it's very own steel vault with the Cds and plenty of pictures, track by track notes and other notables starting at around 2500 and studio and home series are 25 and 50K.  The most expensive box set series ever but I'm sure there will be people that pony up the bucks and make Gene some $.  The only thing I care to hear would be the Van Halen demos when Gene used Eddie and Alex during Love Gun and the Simmons produced Van Halen demos for a rumored album before Warner Brothers threw more $$$ at Alex and Eddie and took them away. https://theseconddisc.com/2017/09/the-demon-unearthed-gene-simmons-plans-massive-box-set/

It was yet another tragic week as we lost a couple of country stars on Friday.  Troy Gentry, of Montgomery Gentry fame lost his life in a helicopter crash in route to a show, he was 50.

Don Williams may have not been the best known country singer but in the 1970s to 1991, Don scored many many hits on country radio.  He was part of the Poso Seco Singers that had a minor hit with I Can Make It With You Baby, plus Time but they were more MOR folk pop than rock. Williams left for a solo career starting with JMI with Jack Clement and then onward to ABC Dot where he had big hits with I Believe In You, Till The Rivers All Run Dry (which Pete Townsend recorded with Ronnie Lane) and Tulsa Time (later Eric Clapton covered that song), when MCA absorbed the ABC and various labels, Don managed to have hits with Listen To The Radio and It Must Be Love. Once the hits dried up Williams moved to Capitol and hit a minor hit with Another Place Another Tim, but his last productive years was with RCA.  His second album True Love for that label is really a underrated that shows that Williams, laid back style done perfect on the songs that by now country music was moving way.  He did managed to get a number 4 chart placement with the title track and Lord Have Mercy On  A Country Boy which would be his final top ten showing at number 7.  The next album Currents was a bit too mellow for my liking, but RCA/BMG had enough songs to do The Best Of Don Williams, The RCA years.  He tend moved over to Winter Harvest and Giant before semi retiring but coming back in the 2010's with a couple of very good albums for Sugar Hill before he decided to retire last year.  Years of smoking caught up to him and he passed from emphysema at age 78 on Friday.

YES was supposed to play Cedar Rapids here Tuesday Night but the unexpected death of Steve Howe's son Virgil forced YES to cancel the rest of the tour, Todd Rundgren was the opening act. No word on how Virgil passed on though.

Tori Amos has done the unthinkable and has released her anti classic 1988 album for Atlantic called Y Kant Tori Read via digital download.  While that album suffered ridicule and bad reviews, it does warrant a curious listen and in a age of even more shittier music on the radio, sounds a lot better now than back then.  She chose a producer that did Pat Benetar's Seven The Hard Way but for dance alternative rock, you have to hear it once before moving on to something else. http://www.popmatters.com/feature/tori-amos-finally-lets-her-80s-flag-unfurl-and-reissues-y-kant-tori-read-af/

(Photo David Purdy via Getty Images)

In the meantime, the Cy Hawk Series happened this Saturday and the Iowa Hawkeyes had to come from 10 points behind to tie and then been Iowa State in overtime 44-41.  The Cyclones had the game won till a bad decision to throw a pass which was intercepted Parker Hasse which enabled the Hawkeyes to tie the game.  Nevertheless, Akim Wadley had 240 all purpose yards, Nate Stanley rallied the team back, he's a bit wild at quarterback but has shown leadership if he doesn't overdo things. He did throw 5 touchdown passes.  Iowa defense was very sloppy and not focused  very well, the secondary gave up a couple long TD passes but did tighten up when it was needed.   North Texas State is next and I'm sure even with the victory, Iowa hater Colin Cowpie will be skeptical and indifferent.   As for Iowa State, they're improving but losing to Iowa in this fashion will either get them better prepared for the next game or continued to be shell shocked.   We'll see.

(Half moon in Tempe. Half assed Sun Devils team on the field)

And then, there's Arizona State, who's continue to hold down the NCAA's worst defense ranking, dead last with a San Diego State victory over them Saturday Night. 30-20.  When you have SDSU on a 2nd and goal from the 33 yard line only to mess up and the Aztecs get a field goal, you are bound to have a long season.  Texas Tech can't wait to get their hands on them next weekend.

Last season the Cubs had a excellent run to the playoffs but this season has been anything but rosy. At times they looked like shit and once again Milwaukee came into Chicago and swept the Cubs in three games and pulling St Louis within one game.  Funny how the Cubs can score 17 runs twice in one week and turn around and can only score 3 runs for the whole series. A 15-2 blowout also shows that the Cubs bullpen stinks with relievers giving up 11 runs in five innings.  This is not championship baseball and while the Cubs remain confident in the papers about making a run, their actions on the field are not. And losing to divisional opponents doesn't help at all. Cubs have three weeks to do something about this.  Or else once again, get lambasted as flash in the pans from their 2016 Championship year.  Of note.  Washington Nationals have clinched their division and Cleveland has won 18 games in a row, sweeping the clueless Baltimore Orioles. Who will be watching the playoffs on TV once again.

(Kip Scheetz frustrates the Kernels with his pitching Monday Night)

Here in the Midwest league it's Minor League playoffs and the Cedar Rapids Kernels and Quad Cities River Bandits are going to see who advances in the winner take all third game to play Fort Wayne or Dayton for the championship.  Game 1, Quad Cities spotted a 4-0 Kernels lead to score 4 in the 7th helped by a Royce Lewis error and a Chuckie Robinson home run, Josh Rojas singled in the game winning run in the 10th.  On Sunday, Cedar Rapids once again tore out in front to a 7-0 lead on home runs by Travis Blankenhorn and Shane Carrier hitting a 3 run home run.  River Bandits came back with a four run sixth inning as Kernel relievers walked four Bandits and a wild pitch scored the first QC run, with two to follow.  But Colton Davis, the 3rd Kernels pitcher of that inning got Abe Toro Hernandez to pop to end the inning and the bases loaded.  Another Bandits run, ended with Shane Carrier managed to make a head diving catch to end the 7th and Quad Cities never threatened again. On Monday, Quad Cities scored 3 runs in the first inning off Kip Wells who walked three batters and then MVP of the divisional finals Josh Rojas unloaded a three run double and Quad Cities never looked back.  Kip Scheels struck out 9 Kernels.  The Bandits win 6-1 and go on to Fort Wayne for the Championship. Fort Wayne will host the first two games and then Quad Cities will host games 3 through 5 if necessary.

(Pinterest photo)

I haven't done dream date pictures for a while.  Ratings haven't been all that great and I don't get much readership even with inflated Russian views and the usual Blogger garbage comments on outdated postings that offer more than than a eye roll.  40 years ago, Sally Field was eye candy and even at 70 years still remains attractive.  A bit of teasing helps in this photo.  She would still remains a dream date for me. Come to think of it, any woman at this point remains a dream date for me.

Record Reviews:

Neil Young-Hitchhiker (Reprise 2017)

It's good to know that Neil has been opening the vaults for vintage albums that never got released.  This batch of recordings was done in a afternoon to which Young might have been a bit stoned to say the very least.  I'm sure one day Chrome Dreams 1 will pop up soon, but while the consensus of the reviews have been ecstatic (David Crosby calls it the album that makes him want to sing with Neil and the songs that made him fell in love with Neil's Music) I tend to find it wanders around a bit even towards the end but at 33 minutes it's all easier to take with one listening. Campaigner, was boring for me even on Decade but I do find the Nixon reference funny to hear and Pocahontas is actually better here than on Rust Never Sleeps.  Powder Finger still needs a full band behind Neil but for a run through it's actually quite good.  I guess at this point after each so so new recording Young does (The Monsanto Years, good intentions but unfocused as hell, Spirit Trail likewise although I liked it much better) he makes it up by seeing what he has left to release to give to us and I guess it's all for the better.  But even I rarely play the acoustic side of Rust Never Sleeps if at all the overlong digipak just makes storing Neil's albums even more cumbersome and annoying. For historic value, Hitchhiker fits in nicely. Musicwise, it's Neil as we come to know and love him.
Grade B+

Eddie Kirkland-The Complete Trix Recordings (32 Blues 1999)

The gypsy king of the blues, Eddie was famed for recording with John Lee Hooker in the 1949 sessions and then went off to a career that wasn't as well known as Hooker was but Kirkland kept going till a 2011 U turn car accident took his life at age 87.  At that time he was gigging with Foghat (he played on Last Train Home for them).  These two albums reissued through 32 Records were on Trix and Front And Center works a lot better, since Kirkland was recording it in the style that John Lee would do for his solo and alone albums. Unlike Hooker's Boogie Chillen, Kirrkland's version tends to not go anywhere, it goes on a bit too long.  Detroit Rock Island is a pretty good instrumental and Have You Seen That Lonesome Train has a hypnotic riff.  The next album The Devil And Other Blues Demons shows Kirkland going into a more R and B and soul direction which doesn't work very well. He goes for a James Brown funk style on Pity On Me and Mother In Law. The problem with journeyman blues artists is that they can be convincing on their own when they stick to blues, when they opt for soul and funk they tend to come up short (Johnny Copeland comes to mind as well).  Even John Lee Hooker knew his limitations.  That said, Front And Center is listenable, The Devil And Other Blues Demons, not so much.  Even John Lee Hooker knew his limitations.
Grade C+

MXPX-The Ever Passing Moment (A&M 2001)

About 15 years  ago (has it been that long already) the majors were looking for "the next big thing" to which in the late 90s and early 00's this Christian modern punk band had it's moments.  And for that "ever-passing moment"  MXPX damn near beat Green Day at their own game on this album. Unlike Green Day however, MXPX suffered from an overcaffinated drummer playing speed beats on half the songs on their albums and most of the songs sounded the same, Mike Herrera being Billy Joe Jr despite it all.  MXPX was signed to Tooth And Nail, the Christian Punk label and scored a surprise hit with Chick Magnet from Life In General, to where the Green Day comparisons (Hitchin A Ride) come into play. Unlike Green Day, that band made better albums, MXPX needed a best of to show the world what they could or could not do.  Originally Ever Passing Moment got a A minus from me back then. MXPX has never done a more catchy song like My Life Story which could fit in on a Green Day record if Mike Herrera stuck a few F bombs in. Fifteen years later it still a punk classic song.  As time goes by and drummer's Yuri's speedbeats gets a bit tedious and tiresome the album has become dated along with the skate punks who have now moved on to steady jobs and families except for a select few that are over-tattooed and still probably tagging buildings and box cars in the dead of night. They didn't get Billie Joe Armstrong to help on this album but they did snagged Stephen Egberton (Descendents) and Dave Grohl (Foo Fighters) to help and Grohl does add bite to The Next Big Thing. Then Herrera falls back to the positive vibes of the Tooth And Nail years with It's Undeniable And Responsibility (What's that?), which are probably better than the throwaway tracks from Life In General and Going Slowly By The Way Of The Buffalo. It also helped that Jerry Finn (RIP) produced this album since he's the connection between Green Day and MXPX But for whatever reason (perhaps A&M wanted them to update their sound so on the next album they went for a Good Charlotte sound, and fell on their collective asses) The Ever Passing Moment proved to MXPX shining moment and sad to say their defined statement by the album title alone.  They're still around thank goodness and those who care will come to hear them play Life In General 20 years later. Herrera has shied away from those Christian rumors of long ago and far away, he's become skeptical as the rest of us.  Still, he's never really topped anything coming out of the gate like he did with My Life Story.  I doubt if I'll ever take a listen at the other MXPX albums but if I want to revisit my inner punk of the my early 40s, The Ever Passing Moment still works fine.
Grade B+

The Angels Greatest Hits (Liberation 2011)

In reality, I thought The Angels at times could rival AC/DC in riff flavored rock and roll but what separates them from the other band was Doc Neeson's cryptic and Dylanesque lyrical content and a howling vocal to boot.   There has not been any shortage of Angels best ofs out there, Mushroom threw out a bloated two cd set of hits and rarities, but stopped short of their Albert Productions (Epic in the US) best known stuff.   The Epic US version of Face To Face remains the best of the early years although The Alberts Angels Greatest did add a few more rockers to the equation (Who Rings The Bell and I Ain't The One), I guess in the end AC DC won out due to being more accessible and loved by Corporate Classic Rock Radio.  I found this for 2 dollars new at Stuff Etc. and being the number one Angels fan in the state that I am, picked it up. It's six seconds short of 80 minutes on the CD but this album, like the Mushroom import, goes with live versions of  Marseilles and Take A Long Line, the latter goes for a bloated and Spinal Tapish guitar lick and and endless ending that annoys rather than amuses.  But Neeson throws a defined howl and scream to I Ain't The One and getting the fans to sing the reply back to Am I Ever Gonna See Your Face Again is the stuff of legends made of.  While the Face To Face stuff is live instead of studio, we do get  a couple tracks off the 1980 Dark Room for good measure (No Secrets and Face The Day, the latter would have fit at on home on classic rock radio if Corporate Radio wasn't so hung on AC DC) and Dogs Are Talking, from 1989's Beyond Salvation, an album that the US label they were signed to was so skitterish they forced the band to re record their Face To Face lesser known hits to a more pounding mix.  I gather the two best songs off Howling are here, a cover of We Gotta Get Out Of This Place and Don't Waste My Time, however nothing is from Two Minute Warning to which this gets taken down a half grade. Not the best place to start for an overview of the Angels, as long as Epic keeps Face To Face in print, that's the one to get for the early years.  This one is a so so review of the later years although it stops at 1989 and Dogs Are Talking.
Grade B

Rory Gallagher-Irish Tour (Eagle Reissue 2011)

Rory has been a subject of note during the past few years. I've been putting the pieces of the puzzle that is his catalog into place by finding his albums.  Another cut out found at my second home Half Priced Books is his 1974 tour in (where else?) Dublin and Cork.  Rory has always embraced the blues quite well and for rock, turned the standard riffs into his originals. Such as the Bo Diddley riff of Cradle Rock, and turns I'm A King Bee into Too Much Alcohol.  While Rory's studio albums have been good to great, hearing him live the songs become something much more right up to Walk On Hot Coals and Who's That Coming to which the end the Irish crowd, really into it, chants Rory into the night. Like Phil Lynott, Rory's star has continued to shown much brighter after his passing and his albums are ripe for discovering if you're sick of classic rock radio and looking for something outside the usual guitar heads.  Irish Tour is a nice way to start out.
Grade A-

Music From My Youth: The Grateful Dead-Live/Dead (Warner Bros./Rhino  1969)

This is where The Dead begin to hone in on their live performances and while Robert Christgau gives it a A plus, I can't do that.  I love Turn On Your Love Light for about 10 minutes and then it becomes an exercise in tolerance as Pigpen keeps it going.  Death Has No Mercy is a spooky 10 minute bluesathon before the 8 minute Feedback excursion which predates and beats Lou Reed at Metal Machine Music, you had to be there to witness this.  And....then there's Dark Star, a 23 and half minute of improvised music interplay between Jerry Garcia and band.  There's days I love this song, other not so much and like Ornette Coleman's Free Jazz or Terry Riley In C, I have to be in the mood to listen to it.  Usually driving in the car going to work works great for me.   Not to be taken away of course, that Turn On Your Love Light really rocks in the first 10 minutes, right at the call and response of Pigpen and Jerry, Phil and Bob answering back.   The highlight is not Dark Star but side 2 with St. Stephen and The Eleven, both songs would become Dead staples and revisited time and time again.  I am not the biggest Dead head fan, and probably not the top 1,000 fan either but I do enjoy listening to them from time to time.  Live/Dead was that album to which turned the Dead into a must see live band, they were the pioneering jam band at that time.  I tend to favor other live albums for definite dead (1971's Grateful Dead S/T, the recent official release of the 1977 Cornell show) but Live Dead is the one that started the whole strange trip that it had been.
Grade A

Tuesday, September 5, 2017


NOTE: this was supposed to be on The Townedgers Music Emporium site but since it's late in the night, I guess we'll leave it here.

By the way Holger Czukay passed away. He was 79 and was bass player for Can https://www.rollingstone.com/music/news/can-co-founder-holger-czukay-dead-at-79-w501368

I'm going where the sun keeps shining
Through the pouring rain
Going where the weather suits my clothes
Banking off the northeast wind
Sailing on a summer breeze
Skipping over the ocean like a stone

Everybody's Talking-Fred Neil

Parlor City Blues Jam 9/5/17


Tony Brown-Lead Vocals and guitar
Mark Awad-Bass


Drums in the barn yard
I'm gonna leave you baby

The stage fright crept in tonight.  And I couldn't concentrate on providing the beat, trying to figure out the first song and finally Gibby clapping out the beat for me to follow through.  I'm sure Tony Brown put on a brave face through the roughshod performance that I gave him but at least Mark Awad provided some bass riffing so that I maintain the beat.  Plenty of great drummers down there, Scott Sanborn, our FOX 28 night time anchor is also a very damn good drummer on his own and he helped Big Mo and Tommy Bruner on Low Spark Of The High Heal Boys and You Can't Always Get What You Want.  Tim Wiley in the usually Wiley Kat form split after he got done.  And he wonders why I want nothing to do with him on the Wiley Kats.

The next song we did was better but since George Hanna didn't get to play drums I forgo my last song just to let him join up and finish the jam.  Handshakes all around, thanking everybody for letting me play along with them, I then hit the Hy Vee for getting some toilet paper and seen recently inducted Iowa Rock Hall Of Famer Craig Erickson and I bailed on him. I couldn't even talk to him. I'm retreating away from the stage again and just about everybody that isn't on stage. When I got home, Ryan Paul told me that he's back hosting the Checkers' Acoustic Jam with Julie.  And I told him I'm going to the Kernels game first and then perhaps show up later but didn't think I was going to take the guitar with me.

I don't know if I want to do this anymore.  Fighting myself to play guitar or even drums. I was surprised I kept myself interested in practicing on drums this afternoon. I have been ultra critical on myself the past few days. The problem of having a overactive mind.  And then the return of the stage fright and the fear of not being good enough.  I think it blindsided me into oblivion this time.

Is it easy to walk away from it all, to say I had a good run but there's really nothing left in the tank?  I was beginning to slide back into my shell even on Friday Night with The Mad Dogs's gig.  I was there to help Mike out with his broken finger and support Julie's band, but once the music is over what's is there left to do but to pack up and go home.  So I give her a hug and wish her well and see her at the next show.  Or when Dreams Of Arcadia goes playing somewhere.

This afternoon, I took a walk down at the new Grant Wood Trail Park in Marion.  It's not open to the public yet but the benches are out and the walking trail is paved so I went there for two hours.  walking around the small pond, watching the frogs jump into the pond and seeing monarchs fly around the flowers, wasn't much for dragonflies, it was too windy and too cloudy and bit on the cool side.  Fall is coming but I don't mind the wind all that much.  And I let my mind wander. And I remember things of long ago and far away. It's strange how I can't remember any of my grade school friends before Russ, but I can tell you my first girlfriends.  Donna Hess, in Kindergarten and first grade in Waterloo, Tonya took over before we moved to Nevada, then it was Michelle. Leah in Webster City and Cindy Kirth when we moved to Cedar Rapids. Cheryl Barker was the main one in Marion grades 4-6, I was going to be the high school QB superstar, she was going to be the cheer leader and promised to be together forever, bullshit like that.  Once I quit football in 7th grade, she quit me.  She wouldn't have never tolerated me playing drums anyway.

And regrets.  There are many.  Perhaps I should have asked Janice Berns out on a date when she was chasing me back my Junior year in high school.  Would she stayed with me if I played in bands?  It's hard telling,   And then, the girl in my Public Relations class that had a crush on me and seen me at Kitty's and smiled at me.  And the memory burns in my mind forever, as I couldn't gather the courage to go say hi.  And then watching her walk away, tears in her eyes perplexed why I never went up to her.   I was hoping to explain myself the next time I saw her in school.   Hoping to correct that mistake.....

......they say everything happens for a reason. And that someday somebody better will come along and make your life wonderful.  I'm still waiting.   I think there's times that I wish I can give up being the Townedger, the singer songwriter of depressing love gone wrong songs, the crazy drummer who thinks he's the second coming of Keith Moon   The girl in the PR class?  I never saw her again and would love to relive this life and at least go and talk to her when I had the chance and not so much hiding behind a invisible wall.  But then again I don't think anybody could subject their life to be part of mine. I'll give Nicole this, she gave her best to make it work.  But I'm destined to die alone, but leaving behind a collection of stories of all the emotions that I went through in terms of finding love, the good, the bad and the ugly. And it spilled out in the albums that I made, Especially Logic And Lies.

And there was I, sitting in the park all alone and watching the sunset fade. It's been a up and down year, the highs I can tell you about and the lows as well but they mean nothing to you. Going to a movie and holding hands with somebody, well that was one bright moment.  When Martin Daniels asked me of the best moments of this year, I told him that.  I told him "I would love more of that"...while becoming silent and getting misty eyed.

The need to belong.

And I wonder how the girl in the PR class is doing nowadays. I'm sure she don't give me a second thought nor third.

I was surprised I made it to Parlor City tonight in this depressive state.  While there were great musicians around, Dan Johnson, Jon Wilson, Mark Awad, Scott Sanborn, I quietly sat in the booth taking notes and trying to keep the beat tapping on the table with my drumsticks.  I was surprised I didn't get paired with Big Mo or Tommy but rather Tony Brown and Mark Awad.  Tony's songs are a bit more obscured than the ones I usually play but he's real cool cat. And of course Mark can play a very funky bass too.   I don't think it was one of my better efforts though.

And I don't know.  I'm sure Julie and Ryan would love for me to join them at Checker's but I am just not feeling it and it's baseball playoffs time. But I told Ryan if time allows I'll stop in for a bit. And then there's the Longbranch Jam and Whittier this weekend and Jeff Overly has said he was coming up Friday.  And practice with The Egads Sunday.  But I don't know. I feel defeated, in terms of music and of life.  Perhaps a good night's sleep might help and things will be better tomorrow.

But I do feel like walking away from it all once again.

Labor Day Highlights Plus Iowa Rock And Roll Hall Of Fame

(Karie Skogman and Craig Erickson: Photo: Scott Sanborn)

(Surf Zombies:  Joel McDowell joins Brook Hoover and band, Scott Sanborn took the photo)

Here it is, the last official weekend of summer.  Big story is the Iowa Rock and Roll Hall Of Fame and the 2017 inductees.  And some of these folks I had the chance to play on stage with.  The best known are the Surf Zombies, the band featuring the late Kyle Oyloe and still living and keeping the flame going on Brook Hoover.  Karie Skogman, the Lita Ford of the Midwest, playing in bands such as Erotica and now fronts Lipstick Slick.  Craig Erickson, who I thought was already in the IA HOF, one of the fastest playing guitar players in town. Gary Kellgren, famed recording extraordinaire who worked on albums by Jimi Hendrix and Fleetwood Mac and opened up three versions of The Record Plant in New York and L.A.  David Sandler, who worked with Brian Wilson and American Spring and composed the one hit wonder Minnesota by Northern Light  The Whitesidewalls, a cover band that has continued to be one of the more in demand oldies covers band still playing.  And Tommy Allsup as well, Tommy was part of the ill fated Crickets band that played at the Surf Ballroom, but did not board the flight with Buddy Holly and others, he lost out on a coin toss to either the Big Bopper or Richie Valens. Stories have been conflicted over the years. Tommy would later become a producer to the stars (Asleep At The Wheel, Willie Nelson to name a couple) And a few more others have been inducted as well, most notably Steve Bridges (Sorosoff) of 99 plus fame but now has a more watered down I.E. corporate rock controlled position at KCJJ. https://www.iowarocknroll.com/

(Photo:Scott Sanborn)

Passings: Walter Becker, the other half of Steely Dan, died of a long illness, he was 67.
Dave Hlubek: Lead guitarist for Molly Hatchet that gave us Flirting With Disaster. He was 68

This weekend, I guest starred on 12 songs, helping out Mike Serbousek during the Julie And The Mad Dogs return to Rumors Friday Night.  Before that Brass Transit played New Bo, during a problematic set that had constant feedback problems, Rob Wallace paying too much attention to himself but the band did do a good copy of Chicago songs.  Inch 75 played outdoors at Union City.

Saturday, The Palomino Band played Aces And Eights, Doug Spinler, former Open Highway guitarist still plays the best Don Rich type of country guitar and Mike Eastman behind real drums holds down a steady beat.  I didn't make to the Ellis Rocking Reunion but stories were that Cathy Hart and Denny Kettelson both had chest pains and had to go to the emergency room.  And they too had PA problems but Kick It and American Classic put on a great show. I went to Walford to catch up on FLEX and Four Day Creep rocking the outdoors, Duane Connaughton, on vacation from his other band filled in on bass and managed to bring the rock and roll to the show.

Sunday:  Rumors jam and Dr Z Experiment finished the New Bo Art Festival with a jammy three hour set.  To which on Monday, I took a break from the band to go watch Cars 3 among with the kiddie choir.  I am a fan of the Cars movies that did came out and thought that Cars 3 was better than Cars 2.  And then rented the movie Whiplash, one of the most intense movies about drumming ever made.  Even on a good day I couldn't never hit that drum solo to Caravan like the main character did at the finale.  Highly recommended even if I had to pay 8 dollars for a used DVD of that movie. I been looking for it but couldn't remember the name of the movie. I do now.

And Iowa Hawkeyes started the football season with a 24-3 blasting of Wyoming Saturday.  While the offense looked a bit unsure in the first quarter, the Iowa Defense tighten up and kept the Cowboys out of the end zone all game.  Next up.  Iowa State which throttled Northern Iowa 42-24 for the Cy Hawk trophy.

When Richie Blackmore said he was open to return to play with Deep Purple one last time, the rest of the band didn't think much of it. Ian Gillan commented that he didn't think Richie played great, Roger Glover mentioned that Blackmore had issues of Roger remastering of the early albums and Ian Paice said that this lineup of Deep Purple was his most favorite lineup and having Don Airey and Steve Morse made the band a lot more fun than ole Richie during the classic days.  Make no mistake, while Richie gave Deep Purple that great guitar sound, Steve Morse has a better working bandmate and is can hold his own on guitar as his days with Dixie Dregs proven, and unlike Tommy Bolin didn't do drugs to kill himself either. Glover says never say never but in this context the guys say just stick with Rainbow and that medieval minstrel folk band he formed with his wife years ago.  Everybody is more happier that way.

This week's Reviews: (Or every other week or when I feel like it)

Sara Cram/The Derelicts-Little Secrets (Self Released 2008)

If anybody reads into these reviews I tend to look at local acts more so than others.  It's simple really; the major labels don't release anything worth a fuck anymore and I tend to look at No Depression with more suspicion than relying on them for anything worthwhile (Avett Brothers come to mind). Sara Driscoll now plays in a band called the Awful Purdies, but back in the 2000s she was part of the Diplomats Of Solid Sound and also The Derelicts which featured members of the Meekats/Surf Zombies, namely Kyle Oyloe and Brook Hoover.  To which the Surf Zombies got featured in the Iowa Rock Hall Of Fame last weekend.   Last album I reviewed, Sara put out her wounded heart and soul in a darken bit of acoustic folk that spoke from the heart.  This time out she decided to have a backing band with her and it's a better effort.  The secret weapon is Oyloe who adds his trademark of off the wall rock and roll and reverb driven guitar on songs like Hard Driving Man or I Got Friends. At times her vocals are in tune with a pissed off Natalie Merchant which gives Nervous and I Learned From You extra bite.  Time has mellowed her since, she's gotten married and having children of her own and practices yoga out in New Bo the past couple of summers.  But once upon a time, she did put a challenge to Amy Rigby in this sort of angry girl rock.
Grade B+

The Townedgers-Logic And Lies (Record Collect/Maier 2017)

For the fifth album in three years, Rodney Smith has been mighty busy on the local jam circuit and while this album was supposed to be half original and half covers, something happened that changed the outcome.  And usually the big cause was another crash and burn romance. Sometimes it does bring out classic albums if done right, Pawnshops For Olivia was one of the better breakup albums of that time, Love Sucks from 1983 faltered when the second side of songs got over dramatic.  And Drive In Blues (1992) fell somewhat in the middle.  The promises of everlasting love turning out to be nothing more than a mirage and a broken heart to boot.  While Pawnshops For Olivia was the best of the bunch, the album ends with the bleak Beyond The Sun.  Since Smith is very good at making albums about relationship failure, it comes to no surprise that Logic And Lies was based on the hope of finding a new love late in his life, the emotions of rejection and lack of confidence comes into full frustration and an overactive mind that compounds the problems on songs like Drawn In The Dark and It's Just A Notion.   Even though the self doubt, the songs do express hopefulness of convincing the love interest to give love another try on Love's Guessing Game and thinking in another world she is his man on All We Are.   Through the 30 plus years of his recording life, Smith has never stayed in love and the songs wish that things would be different, he could never find the perfect one for him and if he did, he'd find out later that he was better off alone, as it was proclaimed on the lead off track from Fitting Finales two years ago.  Major difference between Logic And Lies and Pawnshops is that the songs are better arranged, and benefited from full band participation, namely Geoff Redding who contributed more songs this time out since The Highway Home and even former Route 66 fill in Mel Strobie helped on two tracks.  Even in frustration, the title track might be the most potent love song Smith has done in years to which the ever hopeful Rod Rocker still believes that he's found the right and he's hanging on for life but she keeps killing him emotionally. The Stevie Ray Vaughn inspired Let It Go is blues rock, But even with hope, The Promise Flower, Smith admits that like the wind you can't hold the love interest. And Mystery Girl is the damning answer that he doesn't want to hear.  Despite the hopeless and failures of the songs that comprises Logic And Lies, the final song I'm On The Right Road Now, he finally found the girl of his dreams.  To which, the girl of his dreams is just that before ending the album with an acoustic revisit of the title track.  Logic And Lies continues the winning streak of listenable albums, although this does better Fitting Finales but not Forthcoming Trains.  Terry Bainbridge, who helped shaped Jubilee, last year's live album, and worked with Smith on 1987's Tales Of The Red Caboose, did a fine job bringing out the vocals up front. Given that, the way things have been going, Rodney Smith may never find the girl of his dreams or anybody who could put up with him longer than one date, but one can't deny that when he gets his heart broken, nobody can write the breakup songs better than he.  After all, he's had many years of practice.
Grade A-

Traffic-Far From Home (Virgin 1994)

Stacked up against the albums that Steve Winwood put out at that time, his reunion with Jim Capaldi turned out the be the much more weakest one he's ever put out and probably is the worst Traffic album of all time.  First of all, it's too long at 62 minutes, second of all Winwood can't write a song under 4 minutes.   At it's worst, Winwood sounds bored, especially on the title track, at its best, the songs work in a more weaker Roll With It sound. (This Train Don't Stop). If the listener hasn't given up by the final track, the best one (Mozambique) Capaldi and Winwood play it as a instrumental. Perhaps they should have gone that route more often then the plodding ballads.
Grade C

The Masked Marauders-The Complete Deity Sessions (Reprise/Deity  1969)

In the typical people would buy anything, this forgotten anti classic touted a secret jam session featuring Mick Jagger, John Lennon, George Harrison and Bob Dylan according to legend, but in reality was a made up hoax story by Greil Marcus that ran in Rolling Stone and people took it seriously enough to warrant an album.  In theory this is more of a comedy album in the style of Spinal Tap (only Spinal Tap was more funnier and more rocking) Can't Get No Nookie has been mistaken for a outtake missing from Jamming With Edward (to which Mick Jagger participated with Bill Wyman and Charlie Watts with guest stars Ry Cooder and Nicky Hopkins, but Jagger had nothing to do with Nookie).  Cow Pie is laid back mellow rock and then the joke wears thin, the John Lennon and Bob Dylan wannabes hacks and not very convincing and then they managed to suck the life out of Season Of The Witch. In typical parody style, Warner Brothers made the Deity label the only outlet for this album, laughed it off and claimed it as a tax loss.  Rhino Handmade then reissued it in 2001 and Wounded Bird picked it up later on.  As a curio, it's meant to be heard one time and then trading it in for something more useful. That said, Can't Get No Nookie is that one parody song that nails Mick Jagger in that time and frame.  And would have been good enough to make it on Jamming With Edward.  The rest, not so much.
Grade B-

Music of my youth: Steely Dan-Aja (ABC 1977)

Upon the passing of Walter Becker, I was drawn to see what kind of album that Steely Dan did would be worthy of inclusion to the tribute and talents of Walter, but you don't need me to tell you that with Becker's passing, the legacy of Steely Dan falls upon Don Fagen to maintain the cool jazz and pop swing of reeling in the years.   As time passes on and as each new release gets release and hardly anybody notices it the week after release, it is the classic albums of the 60s and 70s that people continue to seek out and purchases all over again. Aja is one of those albums, bought on 8 track tape my first time and later four times on CD, I can't help but get drawn in on the jazz rock passages that this band cooks up.  Plenty of session folks to help out. Rick Morrota provides the backbeat to Peg, legendary Pretty Purdie adds his beats to Home At Last and Deacon Blues, Paul Humphreys tackles Black Cow, Jim Keltner gets assigned to Josie but Steve Gadd wins out with his inventive drum work on the title track to which many a Steely Dan tribute band have tried to do but never duplicated.  It's funny how this song warmed me up to watch the drum movie Whiplash, to which a drumming student takes on a dictatorial band leader, gets ridiculed, asks out a girl for a date only to drop her in favor of being the best drummer, then gets ridiculed by the demanding Fletcher (played by J K Downing), gets the drum throne only to lose it when he forgets his sticks at the rent a car place and hurries back to get them only get into a car crash and then punches out the instructor when he messes up. Later in the film he gets dictatorial instructor out only to make up with him at a happy hour gig.  Then the instructor plots revenge on him by drafting him into the new jazz band he has forming, then ridicules him one last time before drummer boy goes off in a huff and then comes back to show the instructor up (or win him over) by doing the ultimate drum solo on Caravan.  What's this to do with Aja is that Gadd's drum part on the middle and fade out and so damn complex but somewhat simple enough if you can follow sixteen triplet figures on bass and tom toms and Gadd is sharp enough to pull this off.  The highlight of the album.  The rest of the songs are just as good, Peg is probably the most pop rock of all songs but owes a bit to R and B, The Purdie shuffle on Home At Last is noteworthy too.  I always got a kick out of the line I cried when I wrote this song, sue me if I played it too long and Robert Christgau mentioned that Sue me if I played it wrong would have been better to sing with.  The only time a critic ever upstaged the band's original lyrical content.  And then Mike McDonald adding backing vocal chops to Peg.  The original grade was a B plus, as a high schooler I was more into harder rock and roll and looked at Aja as a passable diversion but 40 years onward and Aja has become perhaps the best jazz rock album and it did solidify Steely Dan's spot in music.  For the other S.D. albums, I figure Countdown To Ecstasy the one to get, Can't Buy A Thrill as well, Pretzel Logic somewhat overrated outside of the title track and Rikki Don't Lose That Number  Katy Lied underrated and The Royal Scan their weakest and Gaucho a close second.  In the end Aja is absolute perfection.
Grade A+

Monday, August 28, 2017

Davenport 2017 Weekend

Three years ago, I went to Davenport and found perhaps the best collection of 45s.  Three years later, I only found five of note.  Not exactly historic but perhaps somewhat entertaining.  Sad to say a copy of Elvis Presley's Suspicion had a crack in it, as well a broken version of That'll Be The Day by the Crickets.  The grand total of all five 45s.  One Dollar and Two Cents.

Bargains were few and far between.  I did find come 50 cent CDs  Traffic, Far From Home, A Wicked Liz and The Bellyshakes EP, Dan Fogelberg's Exiles, Terry Riley In C.  I'll be back in Davenport in a couple weeks due to baseball playoffs

This weekend was the annual civil war series between the CR Kernels and the Q C River Bandits. While CR won the first game 6-2,  Quad Cities came back to win the pitchers duel 1-0 Saturday Night and then on Sunday Afternoon spotted a 5-0 Kernels lead to come back to win 9-6 and clinch the second half division title.   Chuckie Robinson and Abe Toro Hernandez hit back to back home runs and then scoring 3 runs in the fifth and 2 and the sixth inning.  QC relief pitchers held the Kernels to just one run in the final seven innings.  Quad Cities need to win one more game to have the best overall record in the minors this season.  They have seven games remaining, that should be easy for them to get.  Look for them to hook up with the Kernels again in the divisional playoffs in September.

(That's me watching The Dawn play outdoors.  Photo: Geoff Manis)

I had better trips to places, the fucking stop lights were unbelievable, every stop light was a fucking long red light that took 3 to 5 minutes to change.  Which of course gave us ample idiots and assholes going either 10 miles under the speed limit or 20 over.  The Driver Aggravation Squad out in triple force it seems, always seem like I had three or four in waiting, or 45 cars coming down Brady Street after waiting for one jackass turning left at the last moment.  Or dealing with snooty or indifferent waitresses or clerks.  Even thought Fabio Brothers Pizza said they have pizza slices up till 2 AM, the surly 4 eyed dingbat said they quit doing when I got there right before seeing The Dawn play.  Thanks anyway I mentioned, Sorry she said.  I rolled my eyes and said Don't Be, it's the way it goes and that's how my luck is going,  Don't patronize me if you don't mean it, you probably saved me from severe stomach pain from pizza grease anyway.   So it was off to see The Dawn, Davenport's favorite jam band play on top of the Great River Place on 2nd street.   They did play a lot of music off their new album Wooly, plus the two Led Zeppelin numbers they always do, a jam version of Trampled Underfoot and a more heavier version of Ramble On.  Among the interplay of Sean Ryan and band, the 9:45 Special came downtown and it was hearing the scraping of steel rail wheels among the music. Ryan remains a great guitar player in the style of Phish/moe. and others.  Since it was outdoors The Dawn was restricted to a 90 minute set which concluded with Watch Me Fly.  Derek Fortin remains an interesting but acquired taste at vocalist, but when Sean Ryan takes over on vocals with songs like Dance All Night and 1984, they get their collective groove on.   Later on the song Debra, some partying bride to be, stumbled out of the Damview Bar and proceeded to drop her cookies curbside while her friends tried to keep her head up. Poor girl had way too much to drink and it came back to really level her into submission.   By then the 9:45 Special finally rumbled off the Arsenal Bridge into downtown and into the evening night.   The next day, I would return back to the area and crossed the bridge onto the Rock Island Arsenal and back over the Mississippi River back into town and having the 5:15 shaking up the bridge, like a oversized vibrator or earthquake.  So I can crossed that off the bucket list.

Singles Going Steady Medley: Davenport Singles

When A Boy Falls In Love-Mel Carter (Derby D-1003)  #44 1963

A decent cover of a Sam Cooke song.  Carter's over the top soul singing is better known on Hold Me Thrill Me Kiss Me, his best known song and you can hear traces of his over the top singing on B side So Wonderful.  When A Boy Falls In Love is more my style.  Record looks beat up, plays VG-

10 Little Bottles-Johnny Bond (Starday 704)  #43  1965

Bond was more of a novelty singer, his version of Hot Rod Lincoln made number 26 in 1960, but this one of those drunken novelty songs which gives visions of Foster Brooks, or Ben Colter.  B side Let It Be Me is a straight up honky tonk ballad.

Grow Closer Together-The Impressions (ABC Paramount 45-10289)  #99 1962

Between Gypsy Woman and It's All Right, The Impressions next 4 singles didn't go past number 72 on the chart and to coin a phase Grow Closer Together didn't made much of a impression on the charts, making it at number 99 for one week in 1962.  Borrow a bit too much from Gypsy Woman but to these ears 'it's all right' (enough of the bad puns), B side Can't You See (no relation to the Marshall Tucker Band) is a r and b ballad, something like I'm So Proud.

Every Day I Have To Cry-Steve Alaimo (Checker 1032)  #46  1963

Chess Records branching out. Alaimo was a singer songwriter, probably rockabilly star that managed to score a regional hit with this Arthur Alexander number but I was more familiar with The Gentrys' version.  More of a pop and country slanted sort of number I first heard this on the MCA Vintage Collection that came out on CD that Steve Hoffman overseen the mastering.  B side Little Girl Steve co wrote with three other guys (Bobby Russell one of them) more bubblegum poppy like what Brian Hyland may have been doing at that time, or Bobby Vee.

The Touchables-Dickie Goodman (Mark X 8009)  #60 1961

The king of the cut in novelty record, to which records were sampled, this was Dickie's first charted single since the demise of Buchanan and Goodman  duo.  I did find a copy of the Flying Saucer on Lunaverse but for some reason I didn't see the need to pick it up.  It may have looked too scratchy but compared to some of these singles found, it might have played better than it looked.  But then again I have that on three other compilations.  But you have to hand it to Dickie, who recorded from a tape recorder and using his own scratchy records to make these novelty cut in classics.  The story line is a bit dumb but I still remain a sucker for cut in records.  B side Martian Novelty, is Goodman speeding up a unknown recording,  It's kinda fun to listen to if you ask me.

Monday, August 21, 2017

Thirty Years Of CD Collecting

Time flies.

Time has a way of getting away from us.  It might be due to the fact that I spend too many hours wasting away on the internet blogging about my band and playing somewhere and documenting it but here at Record World I have kept a fleeting moment or two letting the world know about what music came into my collection or somebody passing away.  This week Dick Gregory, activist comedian of the 1960s who took a bullet in a knee defending somebody during a peace walk.  Couple weeks ago Don Baylor, former Orioles star and future Rockies and Cubs manager also departed from this world. And yet among the insanity of news we still get alternative facts from both the left and right.  No wonder I quit watching TV last year.  And all for the better of it.

It's hard to fathom that 30 years ago, I was down at B J's Records, at that time the best place to buy records anywhere in the state that they had a small CD section of new albums which cost about 20 dollars for most of them.  The one that stood out was something called The Very Best Of Vee Jay Records that came out ironically on Motown, and at that time Barry Gordy was committed to issue just about every decent Motown album on CD, including some 2 on 1 sets, two albums on one CD.  Which at that point was somewhat radical.  At that time CD players sold for like 500 dollars for the more state of the art ones, but back then you had to deal with plenty of skipping issues.  One speck of dust and the player would hiccup. So I took a look at the Discman's which sold for 200 dollars and ended up buying one of them just to get the Vee Jay Greatest Hits.

That wasn't the first CD I ever bought, it was the third.  The first two was Lynyrd Skynyrd Nuthin Fancey for 10 dollars and a cutout of Pete Townsend's Deep End Live for 7 at the original Best Buy location, on the property of the former Twixt Town Drive In.  It's strange how I can remember such trivial nonesuch such as that.   CD's were created around 1982, but the first ones I even seen were at Target and at 20 dollars for one.  But they touted better sound, better longevity, more durable screamed the major labels.  And we bought into that.

Over time CDs would come down in prince and although the jury is still out on if they were better sounding some CD's did have better sounding albums and it had to do with whoever mastered them.  The best came from Steve Hoffman who did wonders for the MCA Vintage Collection of the late 80s, from the catalog of MCA associated labels. Hoffman worked behind the scenes of certain MCA releases, Steely Dan's Aja first generation CD master sounded like him mastering it and some still prefer it over later editions.  Hoffman was also in charge of a up and coming label called Dunhill (Later DCC) which showed him work his magic on Beach Classics and a Ted Nugent/Amboy Dukes comp. Rhino Records with Bill Inglot remastering put out some sonic sounding albums, the first Bobby Fuller Four Best Of makes you feel like you're in the same studio hearing them record it as it happens. Reissues of classic albums from the major labels were hit and miss.  Capitol got it right the first time when they put out Pink Floyd's The Piper At The Gates Of Dawn and even if Jimmy Page may have improved Led Zeppelin's catalog with each remaster, I am still drawn to the first Led Zeppelin album recorded in a murky type of recording, the way I remembered it from the album.  Sometimes upgrades were needed.  Secret Treaties, suffered from a hiccup on Cagey Cretins, the second remaster corrected that.  The first Steppenwolf album was a blotched job from the beginning, I'm sure Universal corrected that but I opted for a Mobile Fidelity Gold Master which made the album sound ten times much better.  Polygram blotched all of the Moody Blues albums before a remastered made them sound much better.  And so on and so forth.

The best part of CD collecting was to purchase albums that were out of print on vinyl, MCA restored most of 3 Dog Night's albums but like vinyl most got thrown in the cut outs.  Camelot Music really did expand my CD collection via the Cut Outs, mostly WEA products, which the Reprise Roxy Music albums were acquired that way.  Still used cds sold at 7.99 at most stores, 5.99 if they had scratches or of lesser known bands.  In fact the 1990s were the golden age of bargain hunting for used cd's and Cedar Rapids has two Relics stores, a Rock And Bach, A Co Op, Camelot, Disc Go Round, even Best Buy took a stab at selling used CDs.  But around 1996 I discovered pawnshops had s nice collection of off the wall CDs.  And if a place I knew that had off the wall CDs I would frequent that place till I got most of them. Mr. Money in Davenport had some of the forgotten cd's of the 1980s that all ballooned my collection.  That's how I discovered bands like 54-40, Blue Rodeo, Danny Wilde and others.

But in 2002, the decline was beginning to set in.  People were not buying CDs as they once did and record stores began to close up. Relics was done by 2003, Rock N Bach held on for another two years and Co Op never did well outside of Moline.  The Compressed and Loud sounding CD was a turnoff, the copy protected CD two years later was the end as the Sony Root Kit CD had a virus that would make computers useless.  The major labels morphing into three mega giants and not promoting new artists.  And continuing to reissue albums that we bought two or three times over were beginning to turn people off.  When Emerson, Lake And Palmer issued their album for the fifth time on another label that would be grounds to quit buying right there and then.  Pawnshops then quit taking in used collections, nobody really wants old rap acts that nobody listens to or having 200 copies of Cracked Rear View or Chris Gaines Greatest Hits.   And then the big box stores begin to close.  Wherehouse Music got bought out by FYE and then FYE started closing shops left and right.  Hastings Entertainment which somehow would get cutout copies of Velvet Underground live at Max's Kansas City and Love's Forever Changes for under five dollars closed up shop last year.  And Best Buy and Wal Mart have shrinked their CD section down to almost nothing. 30 years onward, we have seen the best years of the CD go by.  And sad to say it will never be like it once was.

Even in the declining years of the CD, I still continue to find new music and old releases that I haven't heard yet.  I still did get a couple of Eagle reissues of vintage live Rolling Stones albums and despite the shitty digipacking of CDs nowadays, still buy them.  I rather much have jewel cases but for the most part if I'm still interested in hearing new music I have to buy them.  I just don't do Spotify or streaming.  I'm too old fashioned to give up the art of looking for something I don't usually buy full price.  I may not be around for CD 40 or beyond but rest assured that as long as I'm alive and as long as it's fun, I still come up with more new music.

Late news: Jerry Lewis passed away, he was 91.  While he is famous for being part of the Martin/Lewis movies with Dean Martin and the Nutty Professor, to me he'll be forever known for the host of the MDA Labor Day Telethon which he hosted from 1966 to 2010, to which he would stay up for over 24 hours to raise money and at the end he would try to sing You'll Never Walk Alone only to break down and cry, eventually he did managed to sing it the whole way through.  He could be very demanding, he knew the ins and outs of the entertainment industry and got it his way most times than not. Jerry died from natural causes on Sunday 8/20/17 http://www.nydailynews.com/entertainment/legendary-entertainer-jerry-lewis-dead-91-article-1.3427487

Some reviews:

Del Shannon-The Dublin Sessions (Rock Beat 2017)

For historical purposes, the Dublin Sessions remain a bootleg classic.  Del couldn't get arrested in the late 70s, he didn't sell out to the disco era like most and continue to write his own music, which borderlined on the dark side of love and to the end he remained true to his vision.  Which is fine and dandy.  It's not a dud album, Del's back up band knew what they were doing, the problem remains there wasn't anybody to give him that extra kick to make it a classic.  Drop Down And Get Me is a classic due to Tom Petty and The Heartbreakers.  And while Jeff Lynne might have made these songs better, the problem is that there's more of a Roy Orbinsen sound that Del was trying to get out of, case in point a version of Oh Pretty Woman, which is one of the better songs. And of course Del could find classic covers to do too, Los Brovos' Black Is Black and Merle Haggard's Today I Started loving You Again, which would foretell Del's country period to which Warner Brothers would issue a couple singles but not a complete album.  Maybe in the future Rock Beat can put that one out there too.  My favorite tracks are The Best Days Of My Life and One Track Mind, the latter vintage Del Shannon heartbreak songs.  The rest have good moments but not enough for me to give this than a passing nod and a smile and then moving on to other things.
Grade B-

Ladies And Gentlemen The Rolling Stones (Eagle 2017)

Mick Jagger contends this is the best of the the live Stones I concur.  Get Your Ya Yas Out is that document where sloppy fun and hard rock and blues come into play but Ladies And Gentlemen, is still a sloppy fun album.  Recorded around the time between Sticky Fingers and Exile On Main Street, it's interesting to hear how Sweet Virginia and Dead Flowers play the country rock mode, through they seem a bit boring to me.  The whole fun starts later on when Charlie Watts ups the ante for All Down The Line and Midnight Rambler is so damn loose the wheels damn near fall off the car. The band is not exactly on the same page judging on how Jumpin Jack Flash ends, but Street Fighting Man ends things and does lay claim that the Stones could be the best rock and roll band in the world. As for myself, as long as Live At Leeds from the rival Who and Get Your Ya Yas Out, Ladies And Gentlemen falls a bit short on that argument.
Grade B+

Dan Johnson-Out Of The System (Hot Fudge 1998)

Dan has always been the champion-er of live music. He's one of the hardest working musicians out there and continues to play every chance he gets.  He hosts The Parlor City Blues Jam, he hangs with legends such as Tony Brown, Skeeter Lewis, Billy Lee and Bryce Janey and Dennis McMurrin and The Blue Band with Bob Dorr and Jeff Petersen the two guys that been with that band since day one. Johnson also played with Made You Look, Men Working (later changed to Men Rocking due to a certain Aussie band that had a 1982 hit with Who Could It Be Now), Falcon Eddy and so on. Dan recorded a few songs and highlights that Dorr put out on Hot Fudge in the late 90s that was on my wish list to get.  In some ways this is the companion to Tom Giblin's Choice Cuts, but unlike Gibby's album, Dan does dab in the blues but shows a more nod to his favorite band The Beatles, which works sometimes (Sister Blue), and sometimes goes on too long for its own good (Song For A Loved One). Dan is more at home with the blues nowadays and tends to play That's Where My Money Goes at blues jams (I actually played this song with him one night), Blues Song and even gives Little Richard his due at the end.  Unlike Choice Cuts, Out Of The System has a bit too many filler songs and segments that don't exactly work (I Love You Madly, a strange disco number with a couple false stops, 98 Seconds-an answer to Free Jazz and Conversations With Diamond Ray, less said the better). But it does provide a nice insight into the music of one of Iowa's best musicians out there.
Grade B+

Toni Basil-Mickey And Other Love Songs (Razor And Tie 1995)

Like Josie Cotton, Toni made a couple hook driven singles but her albums like Josie, was bubblegum 80's new wave.  No use of escaping Micky, forever a part of the MTV generation and oldies stations and skating rinks across America.   If you're not careful, Mickey is a ear worm that will eat your brains out if you're not careful.  Most of this best of is better than Josie Cotton's, at least Toni had Devo helping her out on a couple songs (Be Stiff one of them) but once hackmaster Ritchie Zito pops up on the final four songs, it's piss poor dance music.  And if you stayed and listen to this best of that far, you got to hear Mickey sang in Spanish. Collector's item for those hard up to listen to a one hit wonder and nothing more.
Grade C+

Music of my youth: Humble Pie-Smokin (A&M 1972)

In the early years, The Pie dabbled into some sort of country blues to add with their rock and then later abandoned it for straight boogie and if anything Rockin The Fillmore may have ruined them for life. Case in point: I Don't Need No Doctor, that starts out with 3 minutes of hard rocking boogie then desecrates into a 7 minute I gotta take a pee break that puts people to sleep before returning with one minute back to the beginning riff to wake everybody up.   By then Peter Frampton gave up and went solo, Clem Clempson joined.  Smokin' was one of those albums you had to get back in 1972 but the fact of the matter remains that the record had dated itself.  With this new found boogie, The Pie had two chart placements in Hot And Nasty and 30 Days In The Hole, the latter song I had on 45 but a bad needle scratched the record into being unplayable.  Anyway, most of the songs on Smokin must have came from jamming, there's a very loose feel on Hot And Nasty (#52 1972), not much thought but its still fun.  30 Days In The Hole (uncharted) is better, and it has been heard more often than not on classic rock radio than the charted Hot N Nasty.  You're So Good For Me, might have been a ballad classic, some stations did play that song, as long as Greg Ridley was still part of the band he did managed to curtail Steve Marriott's boogie tendencies. Sweet Peace And Time, the b side to 30 Days In The Hole is a more darker and slashing boogie rocker but it follows on the album what might be the nadir of the album, an slow and plodding version of  I Wonder that makes Brenda Lee's version sound punk rockish.  Try to stay awake on that one.  And Cmon Everybody, the Eddie Cochran number goes from his rockabilly, to Pie Boogie sonics, Jerry Shirley smashing cymbals left and right.  And that's pretty much the highlights and lowlights of this album,  Alas, Smokin would usher in Steve Marriott's soul and boogie era with mixed results. Tinderbox came out the next year and it would improve more on r and b and less on boogie but with Street Rats, the wheels fell off. Reunited with Andrew Loog Oldham, the title track rocked hard and Greg Ridley's cover of Terry Reid's Let Me Be Your Love Maker was the best track. But Steve Marriott did something nobody ever thought of doing, and he turned two of the better rocking Beatles numbers (Drive My Car, Rain) into plodding and damn near unlistenable tracks that turned that album into pure drivel.   No wonder Humble Pie called it quits for five years before returning in 1980 with the hard rocking Fool For A Pretty Face single (#52 1980),  On To Victory with a new lineup (Bobby Tench and Snooty Jones joining Marriott and  Jerry Shirley) but the album suffered from poor production and Marriott's vocals shot to hell (Further On Down The Road and why he attempted Otis Redding's My Lover's Prayer I have no idea why)  Go For The Throat (1981)  Gary Lyons managed to polish up Steve's shot vocals into something more tolerable, but by then, the public moved on to other things and Humble Pie once again went into mothballs although Jerry Shirley and Greg Ridley have revived the band a couple times since Marriott's passing. With Go For The Throat, Marriott does return back to glory days of Rock On by varying the songs  and does a nice revamp of Toy Soldier (it made #58 on the rock charts in 1981 but no radio station ever played it) and Restless Blood.  Nevertheless, Marriott's health issues and other things led to Atco dropping the band not long after the album got issued. Given the scathing reviews and history Atco issued it on CD and Collectibles added both Victory and Throat as two on one CD.  But in the end, the beginning of the boogie with Smokin was the accumulation and downward spiral of Humble Pie in the 70s, as Marriott was playing the boogie man.  The strengths of Hot and Nasty and 30 Days In The Hole continue to make Smokin a better album than it is but after that, The Pie would become second tier boogie rockers from here on out.

Smokin (1972) B
Tinderbox (1973) B
Street Rats (1974) C
On To Victory (1980) B-
Go For The Throat (1981) B-

(Note: Both On To Victory and Go For The Throat are graded more favorably than other critics.  I tend to find Side 1 of both albums quite listenable and I do enjoy the lesser known, You Soppy Pratt, Infatuation and a hard rocking Baby Don't You Do It, to which Jerry Shirley copies Keith Moon's cymbal patterns and to Get It In The End.  However, Savin It, sucks, the Pie tries for a reggae feel and falls flat on their face, and Marriott should have left Otis Redding's song alone. Go For The Throat also has a decent side one, with a riff roaring All Shook Up, somewhat in the style of Rolling Stone and Driver they managed to pair up Z Z Top and Bo Diddley into a over the top boogie monster.  On the other side, we get the strange Lottie And The Charcoat Queen and while Restless Blood is a good Richie Supa song, Aerosmith still owns Chip Away The Stone. Both records still warrant a B grade but in reality they're probably more a C grade and don't waste your time unless you're a fan of their music.  And I remain a fan, in fact I think they hold up more than Smokin but Smokin had the more memorable and better singles)